Lily Meyer
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Itamar Vieira Junior's Crooked Plow, Miroslav Krleža's On the Edge of Reason, and Maru Ayase's The Forest Brims Over all emerge from acts of rebellion.
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It is easy to act as if fiction and history were separate. But they cannot be completely divided. Jenny Erpenbeck's Kairos and Oksana Lutsyshyna's Ivan and Phoebe help readers connect with time past.
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AI may be the topic du jour, but for now only a human can read attentively and sensitively enough to genuinely recreate literature in a new language, as translators have done with these three works.
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Iraqi poet Faleeha Hassan's memoir War and Me, Mexican novelist Brenda Lozano's Witches, and Uyghur novelist and social critic Perhat Tursun's The Backstreets have a few broad commonalities.
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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Klay won acclaim for his debut story collection Redeployment, about the experiences of soldiers. His long awaited novel looks at how America has developed and exported the idea of a war on terror.
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Burnout, Anne Helen Petersen argues, will end only with sweeping labor-policy changes — meaning it will end only when we "vote en masse to elect politicians who will agitate for [reform] tirelessly."
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Kaouther Adimi's novel tells the real-life story of Edmond Charlot, the Algerian bookseller and publisher who witnessed his country's independence struggle — and famously discovered Albert Camus.
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Rebecca Dinerstein Knight's oddball new novel follows a newly unemployed scientist, lovesick for her former mentor — but convinced of her own worth and her need for a life full of beauty.
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Elizabeth Tallent writes: "For the sake of perfection, I took a voice, my own, and twisted until mischance and error and experiment were wrung from it, and with them any chance of aliveness."